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Novel Shortcuts

Novel Shortcuts

Ten Techniques that Ensure a Great First Draft

Published:April 1, 2009
ISBN:1582975671
Pages:272
ISBN:978-1582975672
Language:English
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TL;DR

7/10. Practical techniques for writing a high-quality first draft fast, serving the all-important goal of finishing that defeats so many novelists. Concrete and motivating for writers who stall or overthink, held from higher by a speed approach that suits some temperaments more than others and by being a drafting guide instead of a full craft education.

Novel Shortcuts by Laura Whitcomb promises something many writers desperately want: proven techniques for writing a high-quality first draft fast, a draft that’s both quick to produce and rich enough to be worth keeping. Whitcomb, herself a novelist, offers practical methods for moving efficiently from idea to a complete, engrossing draft without sacrificing quality to speed. For a writer who bogs down, overthinks, or never finishes, its focus on efficient drafting addresses a real and common problem, and it largely delivers on its practical premise.

The appeal is obvious. The gap between starting a novel and finishing a good draft is where countless books die. A guide aimed at crossing it quickly without producing garbage meets a real need.

Speed without sacrificing quality

The central value is its insistence that fast and good aren’t opposites.

With the right techniques a writer can draft efficiently and still produce rich, engrossing work. Whitcomb offers concrete methods, shortcuts in the real sense, for handling the elements of a novel efficiently. Ways to develop character, scene, and structure that get a writer to a strong draft faster than laborious trial and error.

For a writer paralyzed by the sheer scale of a novel or stuck in endless slow revision of early chapters, this practical, momentum-focused approach can be exactly the push needed to produce a complete draft, the prerequisite for everything that follows.

Keep reading

Writing a fast first draft you can actually use: Whitcomb’s efficient-drafting methods, in the craft of getting a draft down.

Finishing as the real goal

Beneath the speed framing, the book serves the deeper goal that defeats so many aspiring novelists: finishing. A great many writers can start a novel and few complete one, lost in perfectionism, overthinking, or the daunting middle, and techniques that keep a draft moving toward completion address the single biggest obstacle between a writer and a finished book. Whitcomb’s practical, get-it-done orientation is valuable because a complete rough draft, however imperfect, is infinitely more useful than a perfect first chapter and nothing after it.

The book’s real service is helping a writer cross the finish line.

Keep reading

How to actually finish the book you started: Whitcomb’s momentum-focused approach, in the wider challenge of completion.

What are the weaknesses of Novel Shortcuts?

The caveats are about fit and scope. The fast-drafting approach suits some temperaments far better than others; a writer who discovers their story through slow, careful work may find the speed emphasis counterproductive instead of freeing, and shortcuts in the wrong hands can become an excuse for shallowness.

The book is also focused on efficient drafting, so it’s strong on momentum and method but not a complete craft education, a writer still needs deeper instruction on the elements themselves and serious attention to the revision that any fast draft will require. Fast-and-good gets you a usable draft, not a finished book; the rewriting still has to happen.

Is Novel Shortcuts worth reading?

It’s a practical, useful craft book for a real and widespread problem, getting a complete, quality first draft written without bogging down, with concrete techniques that serve the all-important goal of finishing. It deserves a solid place, held from higher by a speed-focused approach that suits some writers better than others and by being a drafting guide instead of a complete craft education or a substitute for revision.

For a writer who stalls, overthinks, or never finishes, especially one who needs momentum more than more theory, it’s a valuable, motivating tool; for a natural slow-and-careful writer, it may not fit. A solid, practical aid to getting the draft done.

Explore the hub

The Writing Hub: drafting, finishing, and the rest of the craft, gathered in one place.

Frequently Asked Questions

How can a novelist write a high-quality first draft quickly?
I found Laura Whitcomb’s book offers practical, proven techniques for exactly this problem, moving efficiently from idea to a complete, engrossing draft without sacrificing quality to speed. Whitcomb, a novelist herself, focuses on concrete methods and not vague inspiration. For a writer who bogs down, overthinks, or never finishes, this efficient-drafting focus addresses a real and common problem, and it largely delivers on that practical premise.
Can writing a novel fast and writing it well go together?
Yes, and that’s the central claim I took away from this book. With the right techniques a writer can draft efficiently and still produce rich, engrossing work, since fast and good aren’t opposites. Whitcomb offers shortcuts for handling character, scene, and structure that get a writer to a strong draft faster than laborious trial and error. For anyone paralyzed by the scale of a novel or stuck revising early chapters endlessly, this momentum-focused approach can be exactly the push needed to produce a complete draft.
What deeper problem does Novel Shortcuts address?
Finishing. Many writers start novels and few complete them, lost in perfectionism or the daunting middle. The book’s momentum-focused techniques tackle the single biggest obstacle between a writer and a finished book, getting a complete draft done.
Why do so many novelists never finish their books?
In my reading of this book, the answer comes down to perfectionism, overthinking, and getting lost in the daunting middle of a story. A great many writers can start a novel, but few complete one, and that gap is where the deeper value of this book lies. Its techniques keep a draft moving toward completion, addressing the single biggest obstacle between a writer and a finished book. A complete rough draft, however imperfect, is infinitely more useful than a perfect first chapter and nothing after it.
What are the drawbacks of a fast-drafting approach to writing a novel?
I see two real caveats here. The fast-drafting approach suits some temperaments far better than others, so a writer who discovers their story through slow, careful work may find the speed emphasis counterproductive instead of freeing, and shortcuts in the wrong hands can become an excuse for shallowness. The book is also focused on efficient drafting, so it’s strong on momentum and method but not a complete craft education. A writer still needs deeper instruction on the elements themselves and serious attention to the revision that any fast draft will require.
Does a fast draft still need revision?
Yes, very much so. The book gets a writer to a complete, usable first draft, but fast-and-good produces a draft. The rewriting still has to happen, so the speed is in reaching a draft worth revising.

About the author

Laura Whitcomb

Laura Whitcomb

Laura Whitcomb (born December 19, 1958) is an American novelist and writing teacher best known for the young adult ghost novel A Certain Slant of Light (Houghton Mifflin Harcourt, 2005) and her two Writer's Digest craft books on the writing process. She grew up in Pasadena, California, earned her English degree from California State University, Northridge, in 1993, and has…

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