Latest
AI’s Black Box Is Getting a Window. Somebody Still Has to Look Through It“It Stars C. Thomas Howell. No.” Why AI Gets Stuck in a LoopShould You Query or Self-Publish Your Memoir If You’re Not Famous?Judge the Writing, Not the Tool: What the AI Pile-Ons Get WrongThiago Ferreira: Thinkers, Not DoersYana Semova: Let AI Do the AdminLisa Hamilton-Smith: Unstoppable, AI AssistedSuperman Day: The $130 Contract Behind the CapeRaymond Chandler Day: The Novelist Who Started at FiftyJohn Steinbeck Day: The Reporter Who Wrote the NovelInternational Translation Day: The Invisible AuthorsMaya Angelou Day: The Dare That Became a MemoirNational Podcast Day: The Interview Is the Raw MaterialKurt Vonnegut Day: The Book That Took Twenty YearsTell a Fairy Tale Day: The Stories Everybody EditedHarry Potter’s Birthday: The Book Twelve Publishers MissedHarper Lee Day: The Draft Her Editor Saw ThroughGene Roddenberry Day: The Pilot Who Pitched the StarsRoald Dahl Day: Six Pencils and a Grudge Against Grown-UpsInternational Literacy Day: The Readers Books LoseJack Kerouac Day: The Scroll and the Last AddressElmore Leonard Day: Leave Out the Part Readers SkipEncourage a Young Writer Day: The Adult Who Read the PagesBack to the Future Day: The Script Where Everything Pays OffNational Library Lovers Month: The Building a Town Pays ForAlice’s Day: The Story Told on a Rowing BoatRobert E. Howard Day: The Texan Who Built ConanStephen King Day: The Daily Two ThousandEmily Dickinson Day: The Poems in the DrawerIan Fleming Day: Two Thousand Words a MorningFyodor Dostoevsky Day: The Novels Written Against the ClockZora Neale Hurston Day: The Ear She TrainedF. Scott Fitzgerald Day: The Masterpiece That FloppedElmore Leonard’s 10 Rules of Writing, and Which Ones I BreakShould Your Novel Have a Prologue? When a Cold Open Earns Its Place“People Who Use AI Deserve to Be Castrated”: When the Sentence Outruns the CrimeHow Famous Memoirs Were Really Written: What the Collaborators DidThe Bell JarOpen: An AutobiographyBeneath a Scarlet SkyFlorida RoadkillCampus BattlefieldLifeThe Phone Book: The Curious History of the Book That Everyone Uses But No One ReadsThe Sage of SagittariusDid I Ever Tell You This?: A MemoirPa’anAmerican SoldierIt Doesn’t Take a HeroMake Your Bed: Little Things That Can Change Your Life…And Maybe the World

Naughty Words for Nice Writers

Naughty Words for Nice Writers

A Romance Novel Thesaurus

Author:Cara Bristol
Publisher:Cara Bristol
Published:February 16, 2015
ISBN:0990805271
Pages:184
ISBN:978-0990805274
Language:English
Share:

Buy Now

Description:

TL;DR

6/10. A specialized vocabulary reference for romance and erotica authors, addressing the craft problem of finding varied, tonally right language for intimate scenes. A practical palette for working genre authors, held to the middle by being narrow, supplying vocabulary instead of scene craft, and rewarding disciplined over mechanical use. A capable specialist resource.

Naughty Words for Nice Writers by Cara Bristol is a specialized vocabulary reference for romance and erotica authors, a practical word and phrase resource for writing intimate scenes. It addresses a real problem in the genre. Finding language for sex and the body that’s varied, effective, and tonally right. It’s to avoid clinical coldness and unintentional comedy at the same time.

As a focused professional tool for writers in a popular and demanding genre, it serves a real purpose, and like any word reference it’s best understood as a resource to draw on with judgment instead of a substitute for craft. Writing intimate scenes well is one of the hard technical challenges in romance. A vocabulary that repeats itself or strikes the wrong note sinks an otherwise strong scene. So a reference aimed squarely at the problem has a real place.

A real genre problem

The difficulty the book addresses is concrete. Romance and erotica ask writers to handle intimate content repeatedly and effectively. The available vocabulary is a minefield. Too clinical and the scene goes cold.

Too euphemistic and it turns purple or absurd, too repetitive and it becomes monotonous. A reference of words and phrases, organized by category, gives a writer a wider palette to draw from and a tool for varying language across many scenes without falling into the same handful of terms.

For a working romance author producing intimate content on a regular basis, that practical vocabulary support addresses a real, recurring craft need.

Keep reading

Writing romance that earns its emotional and physical beats: the intimate-scene craft this vocabulary supports, in the wider work of romance.

Watch: Naughty Words for Nice Writers with Cara Bristol - Get My Book Out There Podcast #20, Get My Book Out There

Vocabulary as a starting point

As with any word reference, the right use is as raw material instead of a crutch. The book supplies options. The craft is choosing the words that fit this scene, these characters, and the tone the author is building, then working them into prose that flows.

A writer who pulls terms mechanically off a list produces the same generic intimate prose as everyone else using the book, while one who treats it as a palette to inform their own fresh choices benefits from the wider range without sacrificing voice. The discipline, as always with these references, is the writer’s; the book only provides the menu.

Keep reading

Finding your voice: making borrowed vocabulary your own: the case for shaping any word reference into language that’s yours.

What should you know before reading Naughty Words for Nice Writers?

A few honest notes. It is, by definition, a narrow specialist reference, valuable to romance and erotica authors and irrelevant to writers in other genres. That’s simply the nature of a focused tool. It’s a vocabulary resource, not a guide to writing good intimate scenes, the larger craft of pacing, emotion, character, and tension that makes such a scene work is elsewhere, and this only supplies one piece of it, the words. And as with any list reference, its value depends entirely on disciplined use.

Within its lane, for the author who needs it, it does a focused job well; outside that lane it doesn’t apply.

Is Naughty Words for Nice Writers worth reading?

It’s a useful, focused vocabulary reference for romance and erotica writers, addressing the real and recurring craft problem of finding varied, tonally right language for intimate scenes. It has a solid place within its specialty, held to the middle by the inherent limits of the form: it’s narrow, it supplies vocabulary instead of the larger craft of the scene, and like any word list it rewards disciplined use and punishes mechanical use.

For a working author in the genre who wants a wider palette to draw on, it’s a practical tool; for anyone outside it, it’s simply not their reference. A capable specialist resource, fairly judged within its niche.

Explore the hub

The Writing Hub: genre craft, vocabulary, and the rest of the writing life, gathered in one place.

Frequently Asked Questions

What is Naughty Words for Nice Writers about?
I see this as Cara Bristol’s specialized vocabulary reference for romance and erotica writers. It gives a practical, categorized list of words and phrases for writing intimate scenes. I think of it as a tool that helps a writer find language that’s varied and tonally right and not clinical or euphemistic. It supplies the raw material for a scene and leaves the scene craft to the writer.
What problem does Naughty Words for Nice Writers solve?
I think the book addresses a real and recurring problem in romance and erotica writing, finding language for intimate content that’s neither too clinical nor too euphemistic nor repetitive. Too clinical and a scene goes cold, too euphemistic and it turns purple or absurd, and too repetitive and it becomes monotonous. A reference organized by category gives a writer a wider palette to draw from so scenes across a manuscript don’t fall back on the same handful of terms. For a working author producing intimate content regularly, I see that as a practical craft need.
How should you used Naughty Words for Nice Writers?
As raw material. Don’t lean on it as a crutch. The book supplies options; the craft lies in choosing words that fit the scene, characters, and tone and integrating them into flowing prose. Pulled mechanically off a list, it produces generic prose; used as a palette, it widens range without sacrificing voice.
How should you use Naughty Words for Nice Writers?
I’d treat it as raw material instead of a crutch. The book supplies options, and the craft is choosing which words fit a scene, its characters, and the tone being built, then working them into prose that flows naturally. If a writer pulls terms mechanically off the list, I think the result reads like generic intimate prose that could belong to anyone using the same book. Used instead as a palette to inform fresh choices, it widens a writer’s range without costing them their own voice.
What are the limits of Naughty Words for Nice Writers?
I see the book as a narrow specialist reference, useful to romance and erotica authors and simply not relevant to writers in other genres. That’s the nature of any focused tool. It gives vocabulary, not the larger craft of pacing, emotion, character, and tension that makes an intimate scene work, so that part of the craft has to come from elsewhere. Like any list, its value depends on how disciplined the writer is in using it. Within its lane it does a focused job well, and outside that lane it simply doesn’t apply.
Does Naughty Words for Nice Writers teach how to write a good intimate scene?
No. It supplies vocabulary. A effective intimate scene depends on pacing, emotion, character, and tension, which the book doesn’t address, so it works best alongside broader romance craft instruction instead of on its own.

About the author

Cara Bristol

Cara Bristol is a USA Today bestselling science fiction romance novelist who writes tough alien and cyborg heroes who fall hard for sassy heroines. Her work spans multiple long-running series, including the Cy-Ops Sci-Fi Romance series about cyborg operatives, the Breeder series, Cosmic Mates, the Cyborg Force series, Aldebaran Alien Mates, and her Castaways series in which alien survivors of…

More about Cara Bristol

Back