Latest
It’s Not X, It’s Y: The AI Tell Shakespeare Wrote FirstWho Gets Rich From AI Data Centers? The Local, National and Global EconomyAre AI Data Centers Bad for the Environment? What’s True and What Isn’tAI Data Centers and Geopolitics: Chips, China, Spies and PowerAI Derangement Syndrome: Who Cares If the Cover Was Made With AI?How to Write a Plot Twist Readers Never See ComingBook Ads Getting Clicks but No Sales? The Problem Is the PageCan Writing a Memoir Make You Sick? The Toll Nobody Warns You AboutWhen Caregiving Ends and the Words Won’t ComeCan You Publish a Clean and a Spicy Version of the Same Book?Do You Need a Writing Buddy? What Works and What Doesn’tCan You Put Someone Who Wronged You in Your Novel?Kindle Unlimited or Wide? Where to Publish Your Debut NovelWriting Vampires: How to Build Your Own Vampire RulesWhat Software Do Novelists Use to Write a Book?What If Your Family Doesn’t Support Your Writing?ARC Reviews: Real Follow-Through Numbers, and Do Reviews Sell Books?The AI Singularity: Would a Conscious AI Even Care About Us?“Forbidden” AI Prompts: Why Viral Prompt Lists Are Mostly JunkAuthor Scam Emails: Fake Agents, Flattery and the $500 PitchWill AI Steal My Book? Turn Off Training Before You UploadThe Fear of Being Judged for Your Memoir: My Father Told Everyone to Burn MineShould You Only Use “Said” in Dialogue Tags? My Rules for Tags and AdverbsWhy a Good Book Isn’t Enough: Agents, Quiet Novels and What SellsShe Asked How to Format Her Comic for KDP. The Thread Went to War Over AI.Why Are Writing Groups So Hostile?My Ghostwriter Stopped Responding. What Do I Do?My Ghostwriter Missed the Deadline. What Are My Options?I Hate My Ghostwriter’s First Draft. Now What?Can I Get a Refund From a Ghostwriter?How Many Revisions Should a Ghostwriter Include?Can My Ghostwriter List My Book in Their Portfolio?My Family Doesn’t Want Me to Publish My Ghostwritten Memoir. Now What?Should a Ghostwriter Write a Free Sample Chapter?How Much Does a Ghostwriter Take Up Front?Can a Ghostwriter Get Me a Book Deal or a Literary Agent?Can I Work With a Ghostwriter Over Zoom or From Another Country?Ghostwriting a Tribute Book, Eulogy or Obituary for Someone You LostCan a Ghostwriter Write My Book in Spanish?Ghostwriting a Book for a Dental or Chiropractic PracticeWhy Keynote Speakers Need a Ghostwritten BookGhostwriting a Science or Research Book for General ReadersGhostwriting a Book for Teachers and EducatorsHiring a Ghostwriter for a Pilot’s or Aviation MemoirHiring a Ghostwriter for a Musician’s MemoirCan a Ghostwriter Help Me Write a Whistleblower Memoir?Hiring a Ghostwriter for an Immigrant’s StoryCan a Ghostwriter Help Me Write About Losing Someone to Suicide?Can a Ghostwriter Help Me Write a Depression or Mental Illness Memoir?Hiring a Ghostwriter for a Special-Needs Parent’s Memoir

Ursula K. Le Guin

Ursula K. Le Guin

Ursula Kroeber Le Guin was born in Berkeley in 1929 to the anthropologist Alfred Kroeber and the writer Theodora Kroeber, and grew up in a house where cultural difference was the family subject. That upbringing runs through everything she wrote.

She took degrees at Radcliffe and Columbia in Renaissance French and Italian literature, married the historian Charles Le Guin in 1953, and settled in Portland, Oregon, where she lived for the rest of her life.

Her major work reshaped two genres. The Left Hand of Darkness, published in 1969, imagines a world whose inhabitants have no fixed sex, and won the Hugo and the Nebula. The Dispossessed, in 1974, sets an anarchist society against a capitalist one and refuses to make either simple, and won both awards again. The Earthsea books, beginning with A Wizard of Earthsea in 1968, were written for young readers and are among the few fantasy works that treat magic as a discipline with a cost.

She was a formidable critic and polemicist. Her essay Epic Pooh and her attacks on the commercial pressures of publishing were unsparing, and her 2014 National Book Awards speech, in which she said that resistance and change often begin in art and that publishers who treat books as commodities should not be obeyed, is one of the more quoted statements about the industry.

Steering the Craft, first published in 1998 and substantially revised in 2015, came out of a workshop she ran on the Oregon coast. It is a short book about the sentence, covering sound, punctuation, syntax, tense, point of view, and what she calls crowding and leaping, with an exercise after each chapter. It leaves out plot, structure, and character entirely, and says so.

She died in Portland in 2018 at eighty-eight.